COMM 274: Rhetoric at TLU

This blog will be filled with data analysis samples created by students in my COMM 274 class at TLU. You will see a variety of types of rhetorical analysis methods on display here.

Links to rhetorical tools:

Here are links to the rhetorical tools used in this class:

Schemes & Tropes -- Perelman & Olbrechts-Tyteca -- Fallacies -- Burke -- Rhetorical Toolbox -- Conspiracy Rhetorics

Monday, January 25, 2016

#27 Data Elaboration




Category
Description
Visual
Color
Hue
Bright colors to make Ad exciting. 


Value
Dark colors for male and light colors for female. 


Saturation
Dark colors distinguish masculinity. Light colors distinguish femininity.

Light
Low contrast              
Couple looks older but low contrast hides the aging marks.

Space
Full
Figures cover most of the Ad.  Focus is on the people.

Angle
Low Angle
You slightly look up at the figures giving the Ad an uplifting feeling.

Implied Distance
Close-up
Close up of persons and bottles to draw the audience into the Ad.

Genre
Style
Sexism:  The woman is holding a Diet Pepsi indicating she is fat and needs to lose weight.
Type
Stroke Weight

The Come Alive quote is heavy on the important strokes of the letters.  Visible to the audience without a full stroke.

Style
Bold
Left script appears bold to draw attention to audience.

Family
Script
Left script is somewhat of a Mongolian Baiti. Right font is a Times New Roman.


Serif
Right script in serif. Common text for long writing.


Sans Serif
Left script in Sans Serif to distinguish letters and stand out more.

In this Ad, Pepsi is trying to sell its product to older people who may be trying to cut down on all the sugar intake.  The prominent selling point is the regular Pepsi and it is held by the man where the secondary selling point is the Diet Pepsi held by the woman.  Does this indicate that Pepsi is trying to sell their product to men more than women and is Pepsi suggesting that all women need to lose weight so we offer a diet drink for them?

Posted by Unknown at 9:47 PM 4 comments:
Labels: devices & figures & scheme & tropes

Number 28

Posted by Unknown at 8:37 PM No comments:
Labels: devices & figures & scheme & tropes

Pepsi Ad Data Table


TEXT
DEVICE
DESCRIPTION
Simple arial font for the main argument slogan “Try that wonderful Pepsi feeling—its more than refreshing”
 
Creates a fun rounded feel that flows nicely, as Pepsi is supposed to flow nicely down and be somewhat refreshing and calming,
Smaller text turns into a serif font for the smaller descriptive paragraph
 
This goes to show that the emphasis on the ad isn’t here, but if someone were to read it, it still explains what this article is all about
 
Repetitive
The slogan “try that wonderful Pepsi feeling” is repeated twice throughout that small portion, again putting emphasis on this idea, Also repeating the word “DRINK” multiple times
 
Pun
“peps you up” serves as a pun to provide humor and hint to something unknown that the ad is trying to hit, such as comparing it to an alcoholic beverage
 
Enallage
Doesn’t put a period at the end of their main argument, claiming that the fun won’t ever end, so they purposely do not put a period there, could also say that it doesn’t stop and that you can start over again with a new bottle of Pepsi, no period-no end
Using words like “that” and “Its” to cover up this unknown variable that they obviously want the audience to assume at what it may be
 
This is implying that this ad is trying to be like an alcoholic beverage ad, making this hidden message ALCOHOL! They are showing the idea that if we make this seem like something that alters your state of being, teenagers will buy it, (just as if it were alcohol and teenagers could buy it) so Pepsi is trying to make it as close to the idea of alcohol as possible
 
Medium shot
This provides all the important aspects of the picture and it shows what needs to be shown, their faces and upper body language, this provides a clear understanding that these people are on the verge of becoming an adult
 
High contrast painting, brush stroke picture
This creates a blurry yet clear idea, this sets off the idea that there is movement and a lot of friendliness involved.
Man has a seductive look on his face
 
This shows that he now has confidence when he drinks Pepsi, he now has the courage to get closer with this girl that he seemed to be uncomfortable with at first.
Girl with windy hair and loss of self-control
 
She seems to be in an alternate state, almost as if she were drunk, and it seems that she is care free and just having a great time, which is exactly what Pepsi wants to do, is compare it to the idea of alcohol in teens.
Collared shirt on male and scarf on the lady
 
This shows wealth, because they are both drinking Pepsi out of a smooth straw and are dressed nicely, targeting high income teens that probably underage drink, also hinting if you drink Pepsi this could be you, with all this money!

 

This Pepsi ad is creating a hidden feeling that puts one in an alternate state, targeting wealthy teens that drink alcohol underage, for a social normal.
Posted by Unknown at 7:50 PM 3 comments:
Labels: devices & figures & scheme & tropes

Pepsi Ad Analysis


Posted by Unknown at 7:49 PM No comments:
Labels: devices & figures & scheme & tropes

Andrea Rogan - Pepsi Ad

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Andrea Rogan
Communications 274 – Rhetoric
January 24, 2016

Pepsi Ad Analysis
Schemes:
Omission
Asyndeton
Omission of conjunctions
This ad has two lists and there are no conjunctions. (“getting outdoors, getting more out of life.” And “for light, bracing, clean-tasting Pepsi.”
Emphatics
Diacope
Emphatic repetition after an intervening phrase.
“getting more out of life. Call it thinking young. This is the life…”
Arrangement
Climax
Ordered by increasing importance
Light, bracing, clean-tasting
Repetition
Epistrophe
Repetition of words at the end of clauses.
Think or thinking young – used three times. They do this to emphasize that if you drink Pepsi, you will feel and act younger.
Parallelism
Parallelism
Similarity in structure in phrases or clauses
Ends with two imperative sentences: “Think young. Say “Pepsi, please!”

Visual:
Color
Hue
Identification of the colors
The main color in this ad is blue.  There is also some red, white and yellow.  Reinforces the American theme of red, white and blue; and an outdoor theme of blue, sunny skies.

Value
The lightness or darkness of a color
The colors in this ad are medium. The background and the rope are a light blue. Everything else seems to be a medium shade.

Saturation
The purity or vividness or depth of a color.
The colors in this ad appear to be very vivid.  They seem to be intense, just like colors feel like on an intense sunny day. It reminds you of the days in your childhood when life was intense and good.
Light
High contrast
Bright lights and dark shadows.
The lights are very bright and there appears to be lots of reflection on her face. The reflected lights remind me of being at the beach and having a great day in the sun. It is also a sense of goodness.
Perspective
Flat
No illusion of depth.
There is a little depth shown in the ad, but we are so close to the model’s face that there is not much depth. It is a close-up of the all-American girl having fun.  It implies that if you have a Pepsi, you can join her.
Diagonals
Oblique
The image seems unstable and pulled to the side
The image is close to balance but it is slightly tilted towards the right.  It pulls the reader’s eye down towards the Pepsi logo in yellow.
Space
Closed
The tops and sides feel enclosed, trapped.
There is very little empty space in this ad. It almost feels like they cropped it a little too close in. If you think about being young, it is a time when life is full of fun and adventures. The fullness of this add seems to imply that the young have a full life.
Focus
Focalizers
Are figures or colors or spaces used to pull the eye across the image?
The red and white of her mouth pull your eye to the center and to the Pepsi logo on the bottle. The rope pulls your eye down to the Pepsi logo.
Angle
Eye-level
Are we even with them?
We are looking the model directly in the eye.  This seems to say that we can all be like her.
Implied Distance
Close-up
Is the subject one person’s face?
This is a very close-up shot.
Figures
Representationality
To what extent does the image show “things” we can identify?
The main model looks like an all-American girl/woman of the 1960s. She has blue eyes, light brown hair, dimples, freckles and a big smile.  
The rope belongs to either a swing or a boat; things that have to do with the outdoors and being young and energetic.
Genre
Icons
Are there key symbols or characters that call to mind a narrative or genre.
The girl model calls to mind the All-American girl.  The female and male together call to mind the Kennedy’s and their young, energetic, athletic image.

Type
Stroke-height ratio
How thick are the lines in the type in comparison to the height of the letters?

It appears to be a 1 to 3 ratio.  To the naked eye, it appears to be very regular and normal.
Stroke weight
How varied are the weights of the different strokes? What are the thickness differences between various marks in a letter?

There appears to be a constant stroke weight – no variance at all. It is a very clean, simple look.
The only variation is for the two Pepsi logos shown – the one on the bottle and the one on the bottle cap.
It think this is emphasizing the young theme.  Young children print and read simple fonts.  This subtly reinforces the idea of returning to youth.
Style
Bold? Italic? Narrow? Condensed? All caps?

The text appears to be bold and in a slight italic.
On the first line, the only capitalized word is Pepsi.  For the rest of the add, the grammar is normal.  
Emphasis
Color? Underlining? Animated?

The first line is a medium blue and echoes the main color in the ad. It also has the phrase “think young” underlined.

The rest of the words are in a medium green that reminds one of freshness and summer, like a freshly cut lawn or something.
Family
Sans serif
Without lines to link the letters
The type looks a lot like printing, which helps reinforce the young idea.
Spacing
Tracking
Spaces between letters along a line of text.
The spaces appear to be even.  It is easy to read.

Leading
Spacing between lines of text.
The spaces between the lines of text are very small – the text appears to be dense, just like the picture.
Family
What historical grouping does the font belong to? Is it typical?
Old style, transitional, modern, Bauhaus, etc.
It looks similar to Calibri, which is a modern font. The y, r and g are a little more complex in looks, like they would have been in the 1960s.
Legibility
The font itself

The font is very easy to read.


 

 
 

Displaying PEPSI AD!!.pdf.
Posted by Andrea Rogan at 5:40 PM 3 comments:
Labels: devices & figures & scheme & tropes
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