Here Santa is plump as
many people depict him, he is also way too happy about drinking Coca-Cola. It is especially strange that he is jolly
before he even takes a sip of the Cola, the bottle is still full, just missing
the cap. Santa is wearing the classic Coca-Cola red and white. In the ad, he
does not have any toys or a satchel like people often show him with, he is just
sitting around drinking soda. Santa looks quite old, yet there are also young
children showing that all age groups love Coke. These kids are healthy looking,
they aren’t too skinny, but aren’t overweight like Santa, almost as a way of
showing “look Coca-Cola won’t make you super fat like Santa!” It also gives an
illusion that Cola is not expensive, because they have more than one case. The
fridge already has a bunch of soda in it, yet they just started adding this
case. The kids are putting the soda on the top shelf, showing it is going to be
the most important thing in your fridge.
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Category
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Description
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Visual
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Color
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Hue
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In this ad, there is red, gray, brown,
tan, white.
There are few blues and greens and colder colors, the ad is meant to look
warm and inviting, as in “Come on in and have a Cola.” If the ad was colder
viewers wouldn’t want to be involved. The ad also had a lot of red and white
for brand recognition. It is the only soda with those signature colors. By
making Santa wear red and white they are associating the happiness of Santa
with their product.
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Saturation
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The
image has low saturation, all the
colors are dull, and nothing particularly stands out. The image is meant to
be very traditional. The idea is if it is all dull and not very new looking,
people with adopt the idea that Coca-Cola on Christmas has always been a
holiday tradition.
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Light
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Low Contrast
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The
whole image is low contrast, it all sort of blends together, even though
there are two different scenes. It makes it look more like giant creepy Santa
has a fridge coming out of his stomach, which would explain why he is fat. The
lack of contrast puts the children and Santa on the same plane. Which just
makes Santa look like a giant pagan god even more.
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Perspective
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Flat
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There
is no real depth in the picture. While the fridge door is the only place
where there would be depth, from the lack of the side of the fridge behind
the door shows the fridge is merely 2-dimentional. The fact that the fridge
is literally in Santa’s stomach keeps the image flat.
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Diagonals
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Oblique
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This
image is heavy on the right side, where all the faces and people are
positioned. On the left side is where the main Coca-Cola bottle is, and the
fridge, on the right there is the face of Santa, the girl, the boy leans to
the right, and the six pack of Coca-Cola.
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Space
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Closed
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Even
though the top of the image is open, the sides and bottom are closed. The
giant Santa acts as a border to the image.
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Full
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This
image is full, the giant god like Santa fills the whole image. The bottom of
the image is heavy with the fridge and the children. The bottom of the image
fades into gray, making it seem heavy. Santa is big with a lot of little
detail, filling the whole page with him. Even the fridge is full in this
picture.
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Without a lot of diction to analyze the message seems a bit more encrypted. I enjoyed the analysis of position coke at the top of the fridge. Maybe you could expand on the clothing of the children and attempt to place them into a socio-economic class which would comment on both the affordability of coke but also the macro economy.
ReplyDeleteA deeper analysis on Santa himself would have added to your analysis of the photo. Though you analyzed the picture well, I feel that a little more could have been analyzed about Santa. There does not seem to be a central argument or thesis to the picture, so a little more elaboration about the context of the picture would be useful. As for the the table, you explained the schemes and tropes well.
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