visual
|
1) color
|
hue
|
The identification
of the colors.
|
There are many
different colors to attract the eye.
|
|
c (p. 39)
|
value
|
The lightness or
darkness of a color.
|
|||
c (p. 39)
|
saturation
|
The purity or
vividness or depth of a color.
|
|||
c (p. 40)
|
geometric
|
An illusion of
depth and space.
|
Has little depth in cooler.
|
||
oblique
|
The image seems
unstable and pulled to the side.
|
The image is pulled to the
side.
|
|||
c (p. 45)
|
focalizers
|
Are figures or
colors or spaces used to pull the eye across the image?
|
The spaces in the
words forces the eye to be pulled across the image and read it.
|
||
c (p. 49)
|
eye-level
|
Are we even with
them?
|
Even with the woman.
|
||
d (p.37)
|
medium shots
|
Is the subject
people in interaction (Are they about waist up?)
|
We can see the
woman waist up.
|
||
icons
|
Are there key
symbols or characters that call to mind a narrative or genre?
|
The old fashioned cooler
rather than today’s typical ice chests. Old fashioned genre.
|
|||
3) style
|
Bold?
|
Item being sold is bolded.
|
|||
Italic?
|
Demand is in
italic
|
||||
All caps?
|
Most of ad including product
is in all caps
|
||||
Underlining?
|
Underlining in the
product
|
||||
e
|
sans serif
|
Without serifs.
|
No lines linking
the reading of letters.
|
||
10) legibility
|
The font itself
|
Multiple fonts. Bold. Old
Time cursive.
|
|||
This blog will be filled with data analysis samples created by students in my COMM 274 class at TLU. You will see a variety of types of rhetorical analysis methods on display here.
Links to rhetorical tools:
Here are links to the rhetorical tools used in this class:
Wednesday, January 27, 2016
Pepsi Ad Elements
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You do a good job of listing all the aspects of your ad. I like that you have the definition along with your own explanation of how the word pertains to the ad.
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