Text
|
Device
|
Description
|
Very
fancy looking font is used in the title of the ad.
|
|
Makes
the viewer feel as if the ad is only for the elite and fancy people
|
|
Repetition
|
The
word “so” is used twice in the title. Emphasizing the smart and debonair
aspect of the ad.
|
|
Low
Contrast
|
Color
scheme is very nice looking. All the same shade of colors.
|
|
Focalizers
|
Figures
of dogs in the bottom of the ad, the Washington Monument is in the
background, and there is a scheme of a few different colors.
|
|
Low
Angle
|
I
feel as though we may be looking up at them because there is minimal detail
on the bottom and then it gradually gets more detailed as we look up because
there is where the actual focus of the ad is located.
|
This blog will be filled with data analysis samples created by students in my COMM 274 class at TLU. You will see a variety of types of rhetorical analysis methods on display here.
Links to rhetorical tools:
Here are links to the rhetorical tools used in this class:
Wednesday, January 27, 2016
Pepsi Ad
Elaboration Table for The Sociables Ad
Hue-
|
White people, clothing helps
appearance
|
Value-
|
Light Colors
|
Saturation-
|
Basic colors
|
High Contrast-
|
Shadows around man kneeling
shows muscles, superiority
|
Geometric-
|
An illusion of being at the
beach
|
Oblique-
|
Focus seems to be on the man
and the woman on the right because they are brought closer to the front
|
Open-
|
Outside so no boundaries
|
High angle-
|
Seem to be looking up at
them, superiority
|
Long-shot
|
Can see them at a distance to show what you could be like if you
drink the soda
|
Representationally-
|
Obviously a non-white person would not be able to identify with this
add especially with this ad at the time period and the words that are used in
the ad
|
Abstraction-
|
Realistic idea but seems to be appealing to one audience
|
Pepsi Ad Elements
visual
|
1) color
|
hue
|
The identification
of the colors.
|
There are many
different colors to attract the eye.
|
|
c (p. 39)
|
value
|
The lightness or
darkness of a color.
|
|||
c (p. 39)
|
saturation
|
The purity or
vividness or depth of a color.
|
|||
c (p. 40)
|
geometric
|
An illusion of
depth and space.
|
Has little depth in cooler.
|
||
oblique
|
The image seems
unstable and pulled to the side.
|
The image is pulled to the
side.
|
|||
c (p. 45)
|
focalizers
|
Are figures or
colors or spaces used to pull the eye across the image?
|
The spaces in the
words forces the eye to be pulled across the image and read it.
|
||
c (p. 49)
|
eye-level
|
Are we even with
them?
|
Even with the woman.
|
||
d (p.37)
|
medium shots
|
Is the subject
people in interaction (Are they about waist up?)
|
We can see the
woman waist up.
|
||
icons
|
Are there key
symbols or characters that call to mind a narrative or genre?
|
The old fashioned cooler
rather than today’s typical ice chests. Old fashioned genre.
|
|||
3) style
|
Bold?
|
Item being sold is bolded.
|
|||
Italic?
|
Demand is in
italic
|
||||
All caps?
|
Most of ad including product
is in all caps
|
||||
Underlining?
|
Underlining in the
product
|
||||
e
|
sans serif
|
Without serifs.
|
No lines linking
the reading of letters.
|
||
10) legibility
|
The font itself
|
Multiple fonts. Bold. Old
Time cursive.
|
|||
Tuesday, January 26, 2016
Monday, January 25, 2016
Jason Rosenbaum Pepsi
Schemes
alliteration
|
consonance
|
Repetition of consonance sounds
|
“get a big big bottle”
|
Alliteration
|
consonance
|
Repetition of consonance sounds
|
“More bounce to the ounce”
|
emphatics
|
epizeuxis
|
Repetition of one word
|
“get a big big bottle”
|
enumeratio
|
Detailing parts or arguements
|
“Too hot? Cool off! Get Pepsi”
|
|
parallelisms
|
tricolon
|
Isocolon with three parts
|
“Too hot? Cool off! Get Pepsi”
|
Tropes
Question
|
erotema
|
Asking a rhetorical question
|
“Why have less…when Pepsi’s best?”
|
erotema
|
Asking a rhetorical question
|
“Too hot? Cool off! Get Pepsi”
|
Visual
color
|
hue
|
The identification of the colors
|
The main colors of the ad are the blue of the swmming pool and cream
of the background. The blue is water in the pool which is staple of summer
time. The cream is similar to sand like a beach which is also a symbol of
summer time.
|
Value
|
The lightness or darkness of a color
|
The ad primarily pretty bright except the shadow under the girl
sitting by the pool with her feet in the water. Bright colors are rampant summer
time.
|
|
saturation
|
The purity or vividness or depth of a color
|
The colors are very vivid they are all spread out from each other and
do not conflict.
|
|
perspective
|
geometric
|
An illusion of depth and space
|
There is a clear for ground of people at the pool and a background of
the people at the table.
|
diagonals
|
balanced
|
The image is symmetrical and stable
|
The image is centered and symmetrical
|
space
|
closed
|
The tops and sides feel enclosed, trapped
|
The pool at the bottom and the wording at the top enclose the table
in the middle
|
focus
|
grounding
|
Foreground middleground background
|
There is the pool in the foreground, table in the middle and wording
in the background.
|
focalizers
|
Focus points
|
The green of the girl’s bathing suit and towel. The yellow of the
tube.
|
|
Angle
|
Low angle
|
Looking up
|
It seems like we are behind the interaction looking up at what they
are doing.
|
Figures
|
representationality
|
To what extent does the image show things we can identify?
|
You can recognize the bottles the chairs the pool the towel etc.
|
abstraction
|
How realistic are the things
|
Everything looks realistic except the horse thing on the inner tube
|
Type
style
|
bold
|
“PEPSI”
|
|
narrow
|
“get, to the”
|
||
italics
|
“ more bounce to the ounce”
|
||
All caps
|
“too hot cool off het Pepsi”
|
||
family
|
script
|
Approximating handwriting
|
“ more bounce to the ounce”
|
Sans serif
|
Without serif
|
No serif were used
|
|
legibility
|
font
|
“too hot cool off het Pepsi” and “get a big big bottle” are comic
sans like more fun seeming. “ more bounce to the ounce” is cursive and draws
your eyes to it when looking at it.
|
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